The Itunes visualiser is getting predictable, why can’t I once again be invincible

Just started getting back into the remixes as of late after a few months break. I realise that there has been a shit load of good stuff which I know I have missed and probably a lot more which I will never know about. The below two playlists contain some new tracks and some not so new ones which have survived the test of time over the last few months since I last posted ADP (last playlist was actually in Feb). Anyway not in the mood to talk so much shit this post so I will get to the point:

A Derogatory Playlist PT XI

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Andreas Tilliander – Caught in a Riot feat. New Moscow (Vapnet Remix)
When Saints Go Machine – Fail Forever
Doves – Kingdom of Rust (Still Going Remix)
Holy Ghost! – I Will Come Back (Classixx Acapulco Nights Version)
Hockey – Learn To Lose (Filthy Dukes remix)
Space – Tango In Space
Fever Ray – Triangle Walks (Rex The Dog Remix)
The Juan Maclean – Happy House (Lee Douglas Remix)
Bottin – No Static (Club Version)
The Golden Filter – Solid Gold
The Faint – Mirror Error (Das Glow Remix)
Mylo – Paris Four Hundred (Etienne De Crécy Remix)
Yeah Yeah Yeahs – Zero (Erol Alkan Rework)
Kraftwerk – Aerodynamik (Alex Gopher and Etienne de Crecy Dynamix)


A Derogatory Playlist PT XII

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Chris Rea – On The Beach (Tangoterje Edit)
Phoenix – Lisztomania (Classixx Version)
MGMT – Of Moons Birds and Monsters (Holy Ghost! Remix)
Doves – Jetstream (Lindstrom Remix)
The Lowbrows – Dream In The Desert (Flight Facilities “Red Tailed Hawk” Remix)
Pink Stallone – Swiss Ambulance
Siriusmo – Gummiband
Luke Vibert – Disco Nasty
Bloc Party – One More Chance (Alex Metric Remix)
Yeah Yeah Yeahs – Heads Will Roll (Passion Pit Remix)
DR. Kucho! – Eastern Promises (.sØn!ka. Remix)
M83 – We Own The Sky (Udachi Remix)

I Highly Recommend

When Saints Go Machine – Fail Forever

I got this track a couple of months ago fell in love and then forgot about it until recently when I went to track down some more playlist action. Soon as I started listening to it again I thanked my past self in hooking up my present/near future self with the opportunity to enjoy it like it was fresh again. The vocals are definitely the focus point of the track soothing the listener while the bassy grove settles in. Vocalist has a similar range as Antony Hegaty (Antony & The Johnsons/Blind (Hercules & Love Affair)), that voice which you can listen to all day and a remixes dream.

Fever Ray – Triangle Walks (Rex The Dog Remix)

We all know Fever Ray has one of those voices which suit dance music so perfectly and it would be hard not to make a good remix from her. I think Rex The Dog also knew this and tried his best to capture the power of her vocals in the break downs with a banging melody. Yeah it has all been done before but not this good since Trentemoller. I believe Tiga’s 1,2,3,4 remix of the same track falls a little short.

Doves – Jetstream (Lindstrom Remix)

This has to be one of the most original and intelligent remixes I have ever heard. It is just one of those perfect tracks which does not leave you needing anything else. Standing at 11 and a half minutes and comprising of a 5 minute intro it is the sort of melody which you can just close your eyes and let it take you on that ride. Some absolutely amazing piano work which sounds like it was recorded live. Lindstrom proves that he is in a class completely above 95% of the producers out there, tackling this indie track with abit of bounce and turning it into an infinite disco journey. It sounds like robots jamming in a room full of electronic instruments. First time I heard it I wondered/hoped he would bring the vocals in but I had no idea he would do it in such a way which would make and create the track in its own right. Anyway just listen and let me know what you think.

Phoenix Lisztomani (Classixx Version)

This is one of those perfect little pop songs which every DJ will be keeping in their CD wallet to start a set with. Orignal chord progression and vocals make the track and by keeping it at a tempo which is realitive to Phoenix’s orignal feel Classixx maintain a forumlar already perfected.

M83 – We Own The Sky (Udachi Remix)

As I started listening to this remix I thought it could just simply be a cool edit. I was still happy but it was definitely not enough to make the playlist. This was until Udachi decided to split the atom and drop a catastrophic distorted bomb. Comprising of everything I like about M83 and grinding my teeth at the same time – not much could be better.


Really looking forward to Splendour this weekend make sure you come say hi if you see me standing around…

For now I have to run…

Thanks

Jimps

What a horrible mess you’re gonna make of your life…

If you ever feel like anything a little different….

A Grain Of Rice

Or unimaginable/impossible to conceptualise

A Feeling Of Wholesome Empathy Drips My Face, As I Feel Sorry For The Human Race

Before I say anything I would just like to say a big thank you to Adso – I have not only really appreciated your posts but I have thoroughly enjoyed every single one, as I am sure everyone else has. Lets continue:

I have just come out of a very depressing time of my life and I feel that you are the only people I can speak to. It was a time of confusion, sorrow, insecurity and most of all disappointment in myself. I am talking about the quarter life music crisis I found myself in since my last post. I had plentiful new album/new sounds but felt nostalgia for the past. I thought this frustration would be eliminated by one of my favorite sounds from yesterday releasing a new album (Maximo Park) however this just slipped me deeper into despair as I felt absolutely no connection to the album unlike the love affaire for the last two. I was in a very dark place and blaming myself for these emotions. I thought I may have lost my ear as my passion for music evaporated into the mist of my adolescence. I soon realised that I had not lost anything I had just stopped looking. A combination of the amount of new music I was trying to get through and the shortened amount of time I was trying to get through it caused an inevitable re-evaluation of my close interpersonal relationship with my first love.

I can now safely say that we are back together and striving more then ever. Time has been my friend and for this I will forever be grateful to the one dimension we can never conceptualise. It was actually one of Adso’s posts which included ‘White Lies’ that kicked this off and that album in combination with the following, has made me start to anticipate Splendour In The Grass in a couple of weeks with shaking hands and an open grin.


Doves – Kingdom Of Rust

I have had this album for quite some time however it was only after my crisis I really started to appreciate it. I know The Doves are spoken about very highly amongst the music elite and although I have been very slow to get onto the bandwagon the seat that was left vacant has given me a smooth ride all the way to Belongil Fields. Speaking of rides their opening track ‘Jetstream’ is certainly one of them. Whaling guitars and effects builds to a bouncy break, which layers itself with distortion as it reaches out for ‘Jetstreammmmm’ – I can already feel it. I have also added Kingdom Of Rust and Still Going’s remix, which I think brings it into disco perfection.

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The Doves – Jetstream
The Doves – Kingdom Of Rust
The Doves -Kingdom Of Rust (Still Going Theme)


Art Vs Science – EP

I am sure that if you are from Australia you have definitely heard the hype behind Art Vs Science. Winning Unearthed last year they were given the opportunity to play at Splendour In The Grass and fade away like so many bands who were able to get the most people to vote for them. Unlike the others Art vs. Science brought originality and popularity to the table which is often hard produce at early stages of ones career. I intentionally missed their support spot at the Datarock gig so I was able to appreciate them inn full at Splendour… Ok I have always been an honest person I missed them because I wanted to get more fucked up and used that as an excuse. I heard they killed it and I was pissed I missed them. So now I cannot wait to see how they produce this concoction of sound live.

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Art Vs Science – Parlez Vous Francais
Art Vs Science – Friend In The Field


Children Collide – The Long Now

Children Collide are the most recent band I have gotten into and I can thank mainstream radio/TV for this pleasure. Their song Chosen Armies was haunting me a couple of weeks ago like Casper on crack. I first saw the film clip when flicking through Channel V and was unable to turn away, slightly because of the music but mainly for how cool the clip looked. The song stayed in my head yet I forgot who they were until 6am on a Saturday morning when I was returning home from bible studies in a cab and I heard nova so lightly start to belt out the opening guitar riff, I immediately stopped talking shit to the cab driver reached for the volume sat back and simply Waited. I am guessing if the first two times I heard these guys were on Channel V and Nova then they must already be very popular. Their sound is one that many of us grew to know and love in the 90’s before it got stale – I think they have left the perfect amount of years to bring back the grungy punk rock for all of us to enjoy with guilty pleasure.

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Children Collide – Chosen Armies
Children Collide – Cannibal
Children Collide – Social Currency

The Middle East – The Recordings Of The Middle East

This was a band I became aware of from a couple of people at work one who saw them live and said it was one of the most incredible live shows she has ever seen and the other who did not get off my back until I listened to them. I do thank you both and I hope they bring the children’s choir to Splendor, which I heard accompanied them during their last gig in Brisbane. I don’t know too much about them but I believe the album I got was released a few years ago before some line up changes and they have just recently released an EP with some of the same songs which has been gaining air play on Triple J. Their track Blood is one that I think the majority of people will like as it is non-conformational and perfect to sit back and ponder to what they might actually be singing about.

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The Middle East – Blood
The Middle East – Fools Gold

And as Adso mentioned in his last post I to have also been listening to The Temper Trap’s new album. I will let Adso speak about it in his next post as I am still at the early stages of appreciating it. It does sound amazing though and they will be wicked at Splendour.

Well that is it for some of the Splendour bands I have been getting into recently. I think it may be one of the best festivals I have ever been too as there is just so many people I want to see. Adso you should def come, just make it happen.

As you will soon see, although I went through a tough time in my relationship with music we are back together and stronger then ever and the below albums are testimony to that.

Datarock – Red

Adso has already made a recent post about Datarock but I felt I had to talk about them too and post a few of my favorite tracks off their album. I believe that this album is better then their last and we all know how good that was. The range of styles they explore and succeed with throughout ‘Red’ is quite amazing. Every single track is as catchy as the last and all as interesting as each other. A few of my favorites as the moment would have to be the opener ‘The Blog’ with its social commentary and insight about the internet mixed together with retro synths and a punky chorus. “Molly’ an ode to obviously one of their favorite Rangas from the 80’s – Molly Ringwald. I personally cannot really relate to their adolescent obsession however they probably do not have many rangas in Norway. ‘Back In The Seventies” has to be my number 1 track at the moment and has moments of ‘Roxanne’ throughout. Just like Who Made Who earlier in the year I just wish Datarock came to Brisbane after their album release however knowing them I am sure I will see them again soon.

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Datarock – The Blog
Datarock – Molly
Datarock – Back In The Seventies


Placebo – Battle For The Sun

Placebo is one band that I have never given a chance. I have only ever heard their singles, which have always been classic rock pop songs. Battle For The Sun is the first full album I have listened to and now all I can think about is going back to their catalogue and appreciating all the tracks I have obviously missed. In a world of minimal beeps and glitches the sound of big rocking distorted guitars and beats from a world class band get my teeth grinding harder then any solely produced electronic track ever could. I believe that one sign of a great album is when the last track is one of the best – you will find that some bands these days throw all their good tracks at the start (Empire Of The Sun, MGMT) and you can be fooled into thinking they are a good band rather then a band with a few good songs. Placebo’s final track ‘Kings Of Medicine’ is a stunning rock ballad that they obviously thought fit perfectly at the end of their album no matter what the executives recommended.

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Placebo – Kings Of Medicine
Placebo – Battle For The Sun
Placebo – Ashtray Heart


Grace Jones – Hurricane

Well I am sure nearly all of you have enjoyed Aeroplane’s remix of Williams Blood – to me it has definitely been the remix of the year. It is because of this fact that I am a little confused as to why it took me to about May this year to get her album. I guess I was imagining something very different to the remix, more old school. I was very surprised to realise that Aeroplane took a very hands off approach to the song and the original chorus is probably one of the toughest parts out of either version. Her album is very modern and very interesting and she is clearly extremely talented. I love tracks like ‘Corporate Cannibal’ as her voice just oozes respect as she uses spoken word to remind us of the corporate hell some of us are drowned in.

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Grace Jones – Williams Blood
Grace Jones – Corporate Cannibal
Grace Jones – Hurricane

Kissy Sell Out – Youth
As many of you know who have read this blog for a long time Kissy is probably the one/producer DJ whom I have held very high up even above some bands. I have been following Kissy’s footsteps and his eventual rise up the stairs of respect for about the last 3 – 4 years. His album I have been looking forward to for just as long and you can imagine when I heard he was going to turn his sound into a live show I was ecstatic with excitement as to the possibilities of his sound live. His live debut was last year during the European summer and I heard nothing but absolutely terrible reports of his live show. I still kept faith and he slowly started to release a few sneak previews of songs on his album on his Myspace – it did not really sound like the Kissy I grew to love and I somewhat refused to listen to anything until the album came out. Then the album came out and I read some of the worse reviews I have ever seen anyone give. Kissy played live in Sydney about a month ago and from this impression of his new songs and live show I did not even make the trip down to see one of my former idols – what sort of fan am I? When I got Kissy’s album I went in with little to no expectations waiting for annoying vocals and the synth work all but gone. On first listen I heard those annoying vocals but I also heard a shit load of his trademark synth work – it was everywhere. On further listens the vocals stopped being annoying and became catchy and unique – I then understood the direction and sound. Kissy did not forget about all his old friends treating us with a few glorious electro instrumentals. I read somewhere ‘Another Electro Pop Album’ – I completely disagree. To me ‘Little Boots’ and ‘La Roux’ are just another shitty electro pop album. Kissy is something much more complicated which they obviously do not understand.

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Kissy Sell Out – Youth
Kissy Sell Out – Harriet
Kissy Sell Out – Through The Leaves
Kissy Sell Out – Bubs & Bizzle

Peaches – I feel Cream

Well for a girl who does not really respect herself she gains some serious respect from some of the best electronic producers in the world. I have always enjoyed Peaches and both times I have seen her live she has been highly entertaining. I Feel Cream really lifted the bar as one of the true electro albums of the year. I guess that is what happens when you get some help from Soulwax, Simian Mobile Disco, Digitalism, Drums Of Death and more. The track for me is definitely Simian produced ‘More’ which is basically a 3 and a half-minute build up for a minute of electro insanity. Please DJ’s play this one for me, as I want to dance!

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Peaches – More
Peaches – Talk To Me
Peaches – Mommy Complex


Fever Ray

Unique an aural treat as it sounds so sweet. Laced with individuality and beauty; dripping with distant euphoria so unfamiliar, so far from The Knife that sliced the piece, so deep. Left with nothing but cuts, oozing blood, rising Fever and the sun’s Ray turns the earth for another day.

Fever Ray – When I Grow Up
Fever Ray – Triangle Walks

Death Cab For Cutie – The Open Door EP

Well this little EP was quite the pleasant surprise a few weeks ago. The single Little Bride is quite a classic Death Cab song however the second track ‘My Mirror Speaks’ is what you’re after. The angst’s of Ben Gibbard’s interpersonal struggle with himself is explored throughout the lyrics and summed up perfectly with an acoustic guitar at 2:25. This is a band I need to see again.

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Death Cab For Cutie – Little Bribes
Death Cab For Cutie – My Mirror Speaks

Silversun Pickups – Swoon

Yeah one of those bands where the only things you hear is a single and every one saying good things about them. So question is to you my friend why did you not get their first album then??? Why have you not heard every single one of their earlier songs?? You are clearly missing out and now I realize just how much after listening to their new album that is combusting with pressure ready to explode over my perception of rock (I was talking to myself by the way).

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Silversun Pickups – No Secrets This Year
Silversun Pickups – Panic Switch

Lindstrom & Prins Thomas – II

If you are not into really cool shit all the time then you only have one other chance to like this sort of music – being in the right mood for it. I am into cool shit but unfortunately I do not have the time to be into cool shit all the time like this album. But luckily for me I knew it was good and I was in the right mood to enjoy it on several occasions and have grown to really appreciate this music for what it is – unbelievable. I am not sure if I will get any one with this post but I do hope I get at least one who understands.

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Lindstrom & Prins Thomas – Rothaus
Lindstrom & Prins Thomas – Cisco
Lindstrom & Prins Thomas – Gudene Vet + Snutt

The Field – Sequenced

Yes this is very unlike me to title a paragraph of my blog with just one track but that is what happens when you do not have enough time to really enjoy the whole album of something that needs a lot of time to understand. I am talking about The Field’s new album “Yesterday and Today” which sounds so beautiful but also sounds so far out of reach to really love. Luckily for me there was one track that hit me when I was in the “mood” I speak about above – that track was sequenced and o my god it shows how powerful one man can be behind his machines. If one man can do this just imagine what is possible for collaborated electronic music in the future.

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The Field – Sequenced


Animal Collective – My Girls

Ok I just speak about how it is so weird that I just post about one song – but then I do it again. O my god I must be so strange!!! Enough of that because there is a legitimate story behind this one you goddamn parasites striving off our heartbeats. I have had Animal Collective album since February this year after hearing all the hype about them. It did not grab me it did not even really touch me enough for me to even think about letting it grab me. Why?? Time again my friend, I did not give it the time it needed, and as we all know songs need time but the really great songs need it more then the others. Why? Because the really great songs are new sounds which are not familiar to our sense of hearing and at first sound interesting but not amazing. If a song sounds amazing first listen then you have heard all the sounds before and although it is catchy it is not a great track. I believe that My Girls by Animal Collective is one of those great tracks and luckily the song and the band has got all the spoils they deserve. So how did this track come back 5 Months after I got the album? Well I found my self in a situation a few weeks ago where I was waiting in a hospital sobering up but the very strong pain killers kicking in – the film clip came on Video Hits in the morning on the common TV Screen. I watched and I could not turn away, I knew who it was and knew I had the album… I went home and listened and finally cherished and understood what everyone was talking about. They are coming to Brisbane in December and will be fucking amazing live but unfortunately I will not be in the country and I believe neither will Adso so we will both have to hear about it from someone else.

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Animal Collective – My Girls


The Gossip – Music For Men

This is one band, which I have always really enjoyed, but I have had some adversity with my tastes along the way. This being a very good friend who I went and saw them live with who really really hated them. I am not sure if they hated the music but I am sure they hated the stinky hot atmosphere and the image of Beth the lead singer. This could be cruel but it is societies perception of things and I do understand where they are coming from. Me on the other hand held the utmost respect for her and her band for what they were doing as I loved it. I love this album it is filled with a funk that rock has been missing.

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The Gossip – Heavy Cross
The Gossip – Pop Goes The World


Finally I really think you all deserve to know that the pictures I post each entry are not just random acts of attention. They have meaning and they are meant to make you feel. They always relate to the title of the post and I will always be the only one who really understands what it all means…

Gravity lets the blood silently escape, as hate is not something that pollinates.
A feeling of wholesome empathy drips my face, as I feel sorry for the human race…….

Thanks

Jimps

Pleasure Spiked With Pain

Death Star (40,000 Bullets)


Nothing that’s brand spanking new has really grabbed me and shook me like a polaroid picture lately, so rather than deprive you of my ranting and raving I thought I would share some fairly recent music I’ve been revisiting lately. Hopefully all you music-savvy people aren’t already up on all this.

I know you might be sick of me talking about Radiohead, but I think this track is so fucking good I just had to share it with you. It’s a cover of the opener from Amnesiac by a guy named James Yuill. Now, I’m going to go out on a limb here – I think his cover is actually better than the original. This might be an apocalyptic statement for the Radiohead lovers out there, but I dare them to give it a try and see what they think. Also been loving the shit out of Talk Show Host from the Romeo + Juliet Soundtrack.

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James Yuill – Packt Like Sardines In A Crushd Tin Box (Radiohead Cover)

Radiohead – Talk Show Host

DFA signees Yacht are releasing a new album this month entitled See Mystery Lights. First single, Psychic City, describes a place where your friends throw you parties and washing machines speak. Despite the weird subject matter, it’s catchier than swine flu and will have you singing it back all day. The other song I’ve got for you is a love letter to LCD Soundsystem that they made after touring with James Murphy and co last year. James loved Summer Song so much that after hearing it he signed them to DFA.

Yacht – Psychic City

Yacht – Summer Song

Now I’m a bit late on this one, but this is a band formed by The Strokes’ drummer Fabrizio Moretti and the singer/guitarist of Brazilian band Los Hermanos. You could think of them as a more acoustic, slightly tropical version of The Strokes. You could be forgiven for thinking Keep Me In Mind is actually a Strokes track, as it’s scary how much the singer sounds like Julian Casablancas. This music is perfectly suited to sitting on the beach in the shade of a palm tree sipping on drinks housed in coconuts with little colourful umbrellas sticking out of them. So if that tickles your fancy you should definitely pick up their self-titled album.

Little Joy – Keep Me In Mind

Little Joy – How To Hang A Warhol

The Bird and the Bee came out of nowhere for me, I stumbled across their video for Polite Dance Song purely on the tip that it was a funny clip of old people dancing. While it was mildly funny, the thing that stayed with me the most was the actual music. With tongue firmly planted in cheek, singer Inara George pokes fun at every dance song ever made by politely asking you to clap your hands and apologising for losing her cool. I’ve also posted another cover that I think is better than the original – I think the sexy female voice appeals to me more in this context for obvious reasons. And apparently it’s featured in the Sex and the City movie, but I haven’t seen it so I wouldn’t know.

The other member of the group Greg Kurstin has worked with Lily Allen, Red Hot Chili Peppers, Beck and The Flaming Lips and the band opened for Lily Allen’s 2007 tour; so if you like that sort of music you will love this.

The Bird and the Bee – Polite Dance Song

The Bird and the Bee – How Deep Is Your Love (Bee Gees Cover)

I got Temper Trap’s debut and a couple of other albums recently so hopefully they’ll inspire me to post again soon. Until then, keep supporting your favourite artists.

Kindest Regards,

Adso

Going Mental


NEWSFLASH: According to the Avalanches website they are currently clearing samples for their new album to be out towards the end of the year! Can’t wait for this one.

Kasabian – West Ryder Pauper Lunatic Asylum

This is an album I had been looking forward to for a long time. I was so excited to hear what new sounds the psychedelic indie electro rock band had come up with. After a few listens though it hasn’t consumed my every waking hour like I thought I would – don’t get me wrong it’s a really good album, but West Ryder just isn’t amazing. I may be guilty of putting too high expectations on the album, as some of their older songs, namely Club Foot, Processed Beats, LSF (from their self titled debut), Shoot The Runner, Empire and Me Plus One (from 2nd album Empire) are some of my favourite songs ever and I HIGHLY recommend you listen to them.

From Kasabian (2004):

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Kasabian – Club Foot


Kasabian – Processed Beats


Kasabian – L.S.F.


From Empire (2006):

Kasabian – Empire


Kasabian – Shoot The Runner


Kasabian – Me Plus One

Shot from Vlad The Impaler

There are similar moments of brilliance on West Ryder as well, with the 60s-influenced Cream-sounding track Fire being the obvious stand out and one of the best songs I’ve heard all year. As good as the song is, I feel like they could’ve done a lot more with the small break at 2:35 by extending it and creating a bigger build-up. To me the track sounds pretty similar to what Tame Impala have been re-creating – so if you like them you’ll no doubt like Fire. Other songs worth noting are the catchy as hell tracks Where Did All The Love Go? and Take Aim, while the bass-heavy pump-up track Vlad The Impaler is fun and features Noel Fielding from The Mighty Boosh in its weird/scary/funny/creepy film clip.

I have a feeling this album would sound better in its live translation, so I’ll be eagerly awaiting their eventual tour to Oz. While it doesn’t really have many strong singles, it is a more cohesive from start to finish than its predecessors. All in all it’s a really solid album that’s definitely worth listening to, Kasabian fan or not; however it didn’t quite reach my expectation of being THE album of the year.

Kasabian – Fire


Kasabian – Where Did All The Love Go


Kasabian – Take Aim


Kasabian – Vlad The Impaler

Phoenix – Wolfgang Amadeus Phoenix

Another album I have been desperately waiting for. This time the end result did live up to my expectations. I would go so far to say that Phoenix’s latest effort is agonisingly close to my idea of a perfect pop album. Everything about it is just so catchy and uplifting (though not in a cheesy house sort of way) that it instantly lifts your mood and compels you to tap your feet. That’s not to say you are bombarded with monotonous single after single after single. The album’s beauty is in its ability to vary the feelings throughout the album and take you on journey rather than leaving you nauseous from travelling in circles.

When I first saw the track list I was extremely disappointed to see that Twenty-One One Zero was nowhere to be found (one of the first tracks I posted here and one of my favourite songs ever). But on first listen I realised the sly dogs had simply re-produced the song to give it a more electronic feel and renamed it Love Like A Sunset – phew. This is an album that everyone could enjoy – even your friends with really bad music taste – so do yourself a favour and get it.

Phoenix – Lisztomania


Phoenix – Lasso

White Lies – To Lose My Life

These guys are a London band, who have had enormous success over in the UK and a fair amount of airplay on Triple J. They make melodramatic synth-rock, with lyrics that are almost always gloomy in subject-matter, yet the singer’s voice is so strong it never lets the music become depressing. It is also an extremely well polished album for a debut effort. I’ve read they put on a great live show, so make sure you check them out if you’re lucky enough to be going to Splendour.


White Lies – Death


White Lies- Unfinished Business


White Lies – E.S.T.

Freeland – Cope

Freeland’s new album delivers exactly what you’d expect in terms of quality (high), but the sound might not be exactly what you thought it would be. The heavy electronics are all still there, but this follow-up album has a much rockier tinge to it. It also sounds like the drums have been performed live, which I’m sure is a result of Tommy Lee’s publicised involvement with the record. The band also has a full time vocalist now, who suits their sound well. These are all positives in my book. The standout track is the lead single Under Control which is a politically charged heavy pop song. Another highlight for me is the track Mancry, which shows he can create a good builder of a track that leaves you wanting more.

Freeland – Mancry


Freeland – Under Control

If you went, what did you think of Datarock? Don’t be afraid to leave a comment, I would love it if you did and comment on anything for that matter, feedback is always good – positive or constructive.

If you like the songs I’ve posted you should definitely get their respective albums.

Cheers,

Adso

Domesticate A Plant And The Farmer Survives – To Sustain an Empire, The Hunter Dies

Hey Gang – it is good to be back but I must thank my man Adso for doing a great job and holding the fort with some influential posts in between – I don’t know where I would be with out you man.

This post has been a couple of months in the making so it’s really not at all relevant anymore but I always have to talk about every album I enjoy or I develop Chlamydia – and I am sick of it killing fetus’ – that’s what a vacuum’s for.

Who Made Who – The Plot


I hold Who Made Who very close to my heart as their first album highly influenced where my music taste has ended up today. Because of this I was anticipating their new album ‘The Plot’ for a few years and the excitement really started to build at the start of the year with the hype around a couple of releases/remixes and then their unbelievable live show at The Zoo – See some footage below from my night.

They have noticeabley progressed since their first album yet not swayed away at all from their octive/disco/funk style. The Plot is a much more sophisticated arrangement which indicates the time which must’ve been spent producing such a great set of tracks. Where their first album was purely all about hooks and repetition with limited vocals The Plot shows that the boys from Denmark can step out of their comfort zone and start to present their humor in the English language to a further degree.

Who Made Who are able to use a guitar, drums and most importantly bass alone to produce some the most funky live dance music today, however with the further use of even more electronics and effects on The Plot they have truly slid into their rightful place amongst one of the best dance albums of this year.

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Who Made Who – Small Town City
Who Made Who – I Lost My Voice
Who Made Who – The Plot

Royksopp – Junior


I was just talking above about how Who Made Who really influenced my taste in music and I have just realized that there are two more groups in this post who also had a major influence that being Royksopp and Fischerspooner. Royksopp album is filled with it’s moments but also has some serious let downs. Lets drown in hedonism and live those moments below.

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Royksopp – The Girl And The Robot
Royksopp – Tricky Tricky
Royksopp – You Don’t Have A Clue

Chairlift – Does You Inspire You


Well this album is one for the whole family. It has been one of my favorites for the last couple of weeks. Heard some hype around their single “Bruises” from triple J airplay and was expecting an indie pop delight which would soon turn stale. I was pleasantly surprised with “Does You Inspire You” as the first track Garbage dug much deeper and showed not only their pop elements but also the brilliance behind the composition and arrangements of the tracks. Some nice effects, guitars and most importantly – vocal hooks.

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Chairlift – Garbage
Chairlift – Bruises
Chairlift – Planet Health

Tiga – Ciao


Well the album that all electro kids have been have been chewing their tongue for – Mr Tigahhh. Although I have suspicion’s that Tiga may not be any more then a DJ/Vocalist who makes a comfortable seat on real producers backs (e.g. Sir Dewaele 1 & 2) there is no doubting that this album will let the sadness off those molars. Why Tiga decides to put some of the stupidest lyrics I have ever heard in front of some of the nicest synths in all of Ghent I do not know, but after the first half of the album this is all forgotten and some seriously grinding quality takes over. I really want to thank you Tiga but I can’t help to look up at the god’s – Thank you Stephen and David.

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Tiga – What You Need
Tiga – Overtime
Tiga – Speak, Memory

The Juan Maclean – The Future Will Come


This fine piece of Disco Art will surely be hanging from my top album wall at the end of the year. I am starting to feel that everybody is talking about DFA these days with the rise of nu disco and my praise will be buried in repetition. So I will refrain from mentioning the label and King Murphatonic and simple talk solely about Juan Maclean.

As I begun to delve into the album visions of a heaven sprouted in my mind, this heaven being the chance to see all these sounds recreated live. I knew of Juan’s history in a band and by the sound of his production my hope was begging for a similar experience as LCD live. This hope soon turned to desire as I read this article http://www.residentadvisor.net/feature.aspx?1045 and for the first time realised that this could be one of the best live shows I ever see. This is my number 1 must see of this year and I may even be forced to MAKE it happen.

I cannot describe how good Happy House is but to even picture how great an extended version would be live is far beyond what our pathetic species can imagine. I put Happy House up in the same league as LCD’s Yeah (Crass Version) and Soulwax’s Another Excuse – Both of which had Sir Murphatonic splattered all over – and you thought I wouldn’t speak about him again.

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The Juan Maclean – Happy House
The Juan Maclean – The Simple Life
The Juan Maclean – Accusations

Fischerspooner – Entertainment


My dearest Fischerspooner where have you been? And why would you come to Australia last year only to play a silly DJ set you silly silly boys. I forgive you and yes you can entertain me.

I am sure I have spoken about this before but their last album “Odyssey” changed my life and ears in the best possible way. Listening to the album as I write this I realise that I have not listened to it enough and this is mainly because of two things:

The amount of new albums I have got over the last couple of months
Reading a stupid review of it in Mixmag giving it 2 stars before I had heard it.

Fuck you Mixmag – go stick a P Diddy remix of Lady Ga Ga up your ass and try not to blow your load you sick little fuck.

Anyway this album is quality although the mixing and mastering behind it seems to be lacking slightly from their last. The sounds are still there, and this is a sound, which will forever live on in my heart. I promise to turn my 9 listens on Itunes up to 18 by next week.

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Fischerspooner – The Best Revenge
Fischerspooner – Infidels Of The World Unite
Fischerspooner – Money Can’t Dance

Blackbelt AndersenBlackbelt Andersen


Blackbelt Andersen – an interesting name you have there and quite the interesting music too. Intriguing I may call it, perhaps describing it as space disco will make me seem more intellectually “nu”. What would it be like if a star exploded nearby? Would it sound like Slayer raping your face?? No you creep – I am hoping that having the chance to watch the light of this magnificent event spreading across the sky before it tore our skin apart to be as much of an adventure as the sound of Blackbelt Andersen.

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Blackbelt Andersen – Sondag
Blackbelt Andersen – Lordag
Blackbelt Andersen – Sirup

Peter Bjorn And John – Living Thing


Well after that ghastly metaphor lets move onto something a little easier to understand – three bohemian Swedes singing about all sorts of things that all seem to sound like a joke – although it’s mostly not. I think I have been listening to so much distortion in the form of guitars and synths the last few years that when something else I enjoy comes around with out the noise my mind thanks me in the most beautiful way – pleasure.

No I am not going to actually talk about their music – that would be very alternative?

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Peter Bjorn And John – It Don’t Move Me
Peter Bjorn And John – Nothing To Worry About
Peter Bjorn And John – Lay It Down

Passion Pit – Manners


Can you taste the hype?? Does it taste like high pitched vocal synth pop by nerds in glasses? Yes, you are right it also does taste quite good – but for how long my friend HOW LONG!!!

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Passion Pit – Manners
Passion Pit – Little Secrets
Passion Pit – The Reeling


I feel like I have been almost a little cynical in this post – I truly do apologise for this as I believe that humans are naturally built with virtue and trust – however I can not help it if 540 Millions years ago a Flatworm decided it would be fun to hate Acorn Worms because they were more sexually advanced.

Kind regards

Jimps

Questions, Answers, Fetishes

Ludwig van Beethoven

Whoa, haven’t done this in a while. Some might say too long? I think so. Anywayyy, I’ve got some really cool stuff for you today. First off, I finally found my most sought after track in decent quality. If you haven’t heard this played live in some form you have been seriously deprived. It sounds much better live and I almost feel guilty about giving this out in not-perfect quality, but I couldn’t help myself.

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Soulwax – Beathoven (Edit)

I’ve been really enjoying some new material from one of my favourite producers Siriusmo. While he is usually very hit and miss with me, these two tracks from his new EP The Uninvited Guest are both resounding hits to me. My favourite of the two is Nights Off, its got the perfect mix of dark synths, a good melody and driving drums. Apparently, he will be releasing another EP and an album by the end of 2009 on Modeselektor’s new label Monkeytown Records.

Siriusmo – Nights Off

Siriusmo – High Together

As pointed out to me today, Datarock will be playing live on June five at The Zoo in Brisbane. They are touring to support the release of their new album Red which will be available through etcetc in June. The first track on the album is called The Blog so I’m guessing that will be another hilarious stab at computer geeks (wait, does that make me a… shit) in the mould of their classic Computer Camp Love. I have a preview of the album for you with the song Dance! When you hear the catchy-as-fuck riff at the start it seems destined for greatness. Sadly I don’t think it ever reaches such great heights – to me it seems like the track never really gets started and then all of sudden it’s finished already, I think that may be because the chorus isn’t pronounced enough from the verses. Still, it’s a solid track, and definitely worth a listen.

Datarock – Dance!

The fact Dance! is not actually the lead single, rather the track Give It Up is, gives me hope that the rest of the album will have more direction. Give It Up is a better song and is available right now to download from iTunes. The reason I’m not posting it here is I think I have something much better for you. One of the rising stars of French electronic music Chateau Marmont has provided a remix of Give It Up which I much prefer over the original. The duo keep most of the Romeo & Juliet referencing lyrics intact, albeit in robotic vocodered form, and give the track a much stronger electronic feel. I’ve added a similarly awesome remix they did of Poney Poney (a band which Xavier from Justice produces for) and a nice bouncy original track from their Solar Apex EP. Definitely ones to watch for the future.

Datarock – Give It Up (Chateau Marmont Remix)

Poney Poney – Junior (Chateau Marmont Remix)

Chateau Marmont – Anything & Everywhere

This Austrian guy named Parov Stelar seemed to pop up out of the blue recently and I have been loving him ever since. He makes dark electro-house songs that really stand out through his samples of jazz instruments. They are so suave and groove-laden, yet would suit the dance floor at a party really well.

Parov Stelar – Chambermaid Swing

Parov Stelar – Kiss Kiss

Finally, is one of uber-cool French label Kistune’s latest signings Two Door Cinema Club. These guys are from Ireland funnily enough and make poppy guitar rock in a similar vein to Phoenix (whose album is out at the end of the month!!!). Something Good Can Work is featured on Kitsune’s upcoming compilation Maison 7: The Lucky One which looks like it will be a corker.

Two Door Cinema Club – Something Good Can Work

Two Door Cinema Club – Hands Off My Cash, Monty

Hope you enjoyed this instalment,

Adso

P.S.
Ratatat were amazing at the Hi-Fi last weekend. Guitar solos, crazy eyes, trippy visuals, bongo solos and rock star moves were aplenty. Even though there was a hint of pre-recordedness (it’s only a two-man band though), I highly recommend seeing them if you ever get the chance.

Hey, How Ya Doin’?

SPOT THE HAZARD



I’m in a bit of a hip hop mood at the moment, largely thanks to seeing Dan Mumbles play on Friday night. He’s a seriously good dj, so skillful and so fun, check him out if you ever get the chance. Proof? He played this:

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De La Soul – Ring Ring Ring (Ha Ha Hey) (Party Line Edit)

And this:

Grandmaster Flash and The Furious Five – The Message (Datashat Remix)

I pretty much despise the hip hop that’s been coming out lately shit like Flo Rida that’s been coming out lately. But there is a hope. Dr. Dre’s long awaited Detox album and Eminem’s return are supposed to come out sometime this year, so hopefully that will change things for the better. This track from Eminem just leaked, check it out and see what you think, I don’t think it’s anywhere near his best though.

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Eminem – We Made You

Here’s a great project which mashes up Radiohead and Jay-Z to create the aptly named Jaydiohead. This was done last year by DJ Minty Fresh Beats (what’s with it with producers with crap names remixing Radiohead?) and is extremely well put together. It just changes the Radiohead songs enough to make them refreshing – he basically slides some hip hop beats under them, while laying Jay-Z’s classic raps over the top. Here are my two favourite tracks off the album (which you can download in full for free here: http://jaydiohead.com/imeem.php


Highly recommended as a way to get into Radiohead if you never did.

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Jaydiohead – 99 Anthems



Jaydiohead – Dirt Off Your Android



I can’t post Jaydiohead without mentioning Amplive’s radiohead hip hop project. This project features some big names on the vocal duties and is also top-notch quality, with Del The Funky Homosapien and everyone’s favourite member of Jurassic 5Chali 2na – getting involved. Once again, you can download this whole album for free here http://www.onesevensevensix.com/amplive/



(To Download Right Click Save As)

Amplive – Video Tapez Ft. Del The Funky Homosapien



Amplive – Reckonerz ft. Chali 2na

Del The Funky Homosapien – Mistadobalina

If you like classic sounding hip hop you can’t go past Q-Tip’s (from A Tribe Called Quest) solo album The Renaissance. You might have heard a few songs of his played on triple j.

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Q-Tip – Gettin’ Up

Q-Tip – Won’t Trade

A Tribe Called Quest – Can I Kick It?



Finally, is a track I know nothing about, except for the fact it features Chali 2na again laying down a really catchy rap over a nice funky beat.

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Galactic – Think Back ft. Chali 2na



BONUS CHART TOPPER:

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Riskay – Smell Yo Dick





Buy the tracks from iTunes

Adso

Nothing In Its Right Place

I come to you again missing a chance to see some awesome live music (last time I missed Good Vibes) – I hope this doesn’t become a trend! I’m pretty devastated I didn’t get to see my favourite artist at the moment Breakbot at The Monastery on Thursday night. Did anyone go? If so, how was it? Anyway, Breakbot definitely makes the funnest music going around at the moment. Every song of his is so light-hearted yet so danceable and catchy that it’s impossible not to like him.

(Actual painting on a road)

Breakbot’s most recent remix is for Yuksek’s track Extraball off his album which I featured last time I posted. The original is good, but I think it sounded a little cluttered; Breakbot cleans it up nicely by spacing out the bass a bit and adding some “pssch” drums and synth squiggles.

Yuksek – Extra Ball (Breakbot Remix)

(Penelope Pitstop)

I usually like Breakbot remixes a lot more than his originals, however his most recent original Penelope Pitstop bucks that trend. This song’s a bit heavier and faster than his usual productions. Don’t worry though, he still manages to retain the fun and danceability of his songs.

Breakbot – Penelope Pitstop

Pic: Erik Johansson

And just in case you don’t have it, I will post my favourite Breakbot production – and one of my favourite songs of all time – his remix of A Thing For Me by Metronomy. It’s so laidback, simple and catchy, it’s just perfect pop. I don’t want to build up your expectations too high but it really is that good.

Metronomy – A Thing For Me (Breakbot Remix)

If you’re loving those, here’s another sweet Breakbot remix I found not long ago, as a bonus.

Alb – Sweet Sensation (Breakbot Remix)


As a bit of a follow-on from Jimps’ previous post about Whitest Boy Alive, I thought I’d let you all know that Erlend Oye (the lead singer) did a DJ-Kicks mix a few years ago. It features him creating special edits of some cool tracks where he sings over the top of them. Artists in the mix include: The Rapture, Phoenix, Morgan Geist, Royksopp, Alan Braxe and Fred Falke
among others. I’ve posted one of the standouts of the mix by Morgan Geist and also a nice little edit by Jack Tennis of Courage from Whitest Boy Alive’s new album (which Jimps posted the original of).

Morgan Geist – Lullaby

Whitest Boy Alive – Courage (Jack Tennis Edit)

Pics originally posted at Hipster Runoff

It’s not often you get a Radiohead remix that is worth the time of day. They usually just never compare to the original and ultimately ruin the song. Despite his off-putting name, Gigamesh comes through with goods here, producing a simple but effective remix of Everything In It’s Right Place. He basically gives it enough drive and some build-ups and break-downs so a DJ could play it out. It really does add to the song though, providing it a bit of purpose.

Radiohead – Everything in Its Right Place (Gigamesh Remix)

Pic: Doddie

I downloaded this Hot Chip remix recently and didn’t realise until I saw a duplicate of it in my iTunes library that it was released in Dec. 2007, that’s how current it sounds! It’s a remix of this British singer named Tracey Thorn, whose vocals are quite haunting. The song sounds quite a bit like the stuff Aeroplane is making at the moment, which is why I thought it was new. Make sure you listen to it really loud and wait for the drop at around 2:20 it makes my spine tingle every time. So good.

Tracey Thorn – King’s Cross (Hot Chip Remix)


Speaking of Aeroplane, a new remix of their’s has just come out. This time they’ve remixed french pop star Sebastien Tellier’s already cool as track Kilometer. The first minute or so introduces the song with vocoders and synth stabs, but it’s not ’til after 1:20 that the song really gets into it. They bring in these huge synths, with the hint of that sound Regurgitator uses in Polyester Girl, I think. Anyway it’s an awesome track, I hope you enjoy it.

Sebastien Tellier – Kilometer (Aeroplane Italo ’84 Remix)

That’s all from me, buy what you like at iTunes,

Adso

Boy… What Are You Going To Do With Your Life?

Photo – Chris Proud
I spent the first two months of this year by myself in cold dark hole living in hibernation. The reason is that I had no fuel to survive in the reality of space and time without the satisfaction of a quality album to induce me out of my comatose and back into reality. In has only been the last two months where the slow incubation of albums has delivered me the warmth to develop and finally hatch into the new year.

The Whitest Boy Alive – Rules


This was the first real good album I got my hands on this year and it was such a relief. I luckily did not have to wait as long between albums as other fans as I really only started listening to The Whitest Boy Alive consistently half way through last year and then again at the end of the year in anticipation for their Never Ever Land show. The smiles continue to flow from memories of that fateful day in December at Riverstage as the band delivered such a perfect set to start such a perfect day. Their new album really wakes up where Dreams left off with a very similar progression into their second album. Each song from the new album could fit on their last but that is not at all a bad thing. Track after track proves to be a timeless reminder that simple yet melodic sounds arranged together can always trump a bag full of distortion and a punch of synth across the face.


I am sure most of you have come across at least one of the Yeah Yeah Yeahs new songs by now. I did not hear much hype about this album at all even from their heads at Modular however what they have produced is something which you will not hear the end of this year. I have found it difficult to really enjoy a front women in an indie style band. I believe that consistently females do the more melodic slower spacey songs so well and some of my favourites from last year were the female vocal arrangements on Goldfrapp, The Cinematic Orchastra and M83. When chicks are able to get the indie thing right it can be so good and I have not really enjoyed an album of this description since The Sounds. The Yeah Yeah Yeahs have had absolutely no trouble in making it work. Fused with stabbing synths and guitars this should be one of the larger albums of the year. .


Gang Gang Dance have been the talk of many of the elite this year and their album is one which for most will need several listens to not only enjoy but also to understand. Their only true pop song is House Jam but that does not mean your little sister will like it. The album starts out brilliantly with an intro fit for the entrance into a 70’s LSD den which is then mixed into their second track and the first taste of the shivery vocals which will discomfort yet intrigue you throughout. Just to make things a little stranger the song Princes features a UK rapper which brings things close to grime. The album contains layers and layers of scapes which after each listen will become a little more familiar and interesting as they take you on a journey into psychedelic disco dance.

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Gang Gang Dance – House Jam
Gang Gang Dance – First Communion
Gang Gang Dance – Prince (Feat Tinchy Syryder)
In case you missed it in the last playlist
Gang Gang Dance – House Jam (Hot Chip Remix)

Beyond The Wizard’s Sleeve Reanimations Volume 1

I think this must be the first ever time I have posted about a remix album but BTWS Reanimations are in a completely different league to anything I have ever heard before. If you were to go through all my prior playlist you would probably find half the tracks scattered over my blog over time so I will try to post the best of what I have not already posted in the past. Along with some remixes which you probably either missed or never knew about there is a continuous mix done by Erol himself which is substantially more interesting then any DJ mix I have heard in the last couple of years. I have not posted the mix as I think that is cheating but make sure you grab yourself a copy of it as soon as you can as it is something you can listen to anywhere at anytime.


I know I was just talking about how the Yeah Yeah Yeahs are the first indie type band I have heard in a long time which has made a female vocalise work but now I have another one and this time they’re Aussies! Howling Bells have produced an extremely tight and engaging album highlighted by the reaching vocals which are wrapped around your head by catchy chords and powerful chorus’. I am really looking forward to catching these guys live which I am sure will happen in the next few months.

Photo – Chris Proud

Anyway it is very therapeutic being able to write about albums again after such a long break. I have started to move on from the above albums and am currently enjoying a couple more in the form of Who Made Who and Royksopp with a few more very close to release. I look forward to talking about them next time.

Buy the albums from Itunes

Thanks

Jimps